Be sure to include return postage. Photobuyers not only expect it,
many require it. Some refuse to return photographs if the return
postage is not included. Best way to cover return postage costs:
write a check for the amount of postage. Some photobuyers then
pay the return postage and also return your check!
Identify your pictures with your name plus a picture number, with a
rubber stamp or label. In case a photobuyer wants to refer to a
specific picture in his correspondence with you - - he'll refer
to the picture number. Include one on your slides or B&W prints.
Stock photos, because they are "generic," generally do not need
captions. However, some photobuyers may require them. Their
"Photo Guidelines" will be your guide.
Writing the cover letter
Always include a
cover letter. It can be short.
In fact, the more brief, the better. It should be addressed to a
specific person. Find his or her name through your initial research.
An excellent source is
current Photographer's Market.
A typical letter might read like this:
Dear _________:
Enclosed please find [number] [slides, 8x10 B&W prints] for your
consideration. They are available at $_____ (color) and $____ (B&W)*,
for one-time publishing rights, inside editorial use. Additional
rights are available. Please include credit line and copyright
notice as indicated.
You are welcome to photocopy the enclosed picture(s) for your files
for future reference. My name, address, and print no. are included
with each picture.
I'd appreciate your bringing the enclosed pictures to the attention
of others at your [publishing house or company office]
who may be interested in reviewing them.
You are welcome to hold this selection for two weeks (no holding
fee). I have enclosed postage for their return.
Thank you for your attention.
Sincerely,
[Your name]
- It's essential that you state a fee. Do your homework and find
out the fee range the publication pays.
The above letter may not be prize-winning literature but it's the
kind photobuyers welcome. It gives them everything they want to
know in case they are interested in you. In fact, make
typeset copies of the above letter and use it as a form
letter. Photobuyers then know you mean business.
How about transparencies (slides)?
Some photographers hesitate sending their original slides out.
"It's too risky," they say. But consider the risk of
not selling your slides as they gather dust in your files.
Originals can safely be sent if you package them well. Plastic
pages and sturdy mailers are your best bets. Don't send glass
mounts. Send only to established publishing houses that have
been in business at least three years, and you'll be sure of
dealing with photobuyers with professional ethics who reliably
return your material.
Before sending off your photographs, compare your shipment to this
checklist:
Selection
- Do your photographs fall within the targeted interest area of
the photobuyer?
Style
- Do your photographs follow the illustrative style the editor
needs for the tone of his publication?
Quantity
- Are you sending enough? For an average submission, a minimum
of two dozen, a maximum of 50. There are exceptions to this one,
such as the single, truly spectacular shot; or 100 or 200 for volume
needs of the buyer.
Quality
- Can your photographs compete in esthetic and technical quality
with stock photography the photobuyer has previously used?
Appearance
- Is your submission neatly packaged? If your package doesn't
conform to the suggestions above, then hold off submitting.
Eagerness is a virtue, but as in any contest, you must match it with
preparedness. Photobuyers will remember you if you can deliver the
right goods in a professional manner. And they will most certainly
remember you if you don't.
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